Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5
The kit Includes 7 PL mount lenses:
21mm,25mm, 29mm, 35mm, 50mm, 60mm, 85mm
The image quality of a high-end prime lens.
Full-frame compatibility—yet compact.
Introducing a complete lineup of fine lenses.
These prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivaling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.
The kit Includes 7 PL mount lenses:
14mm, 20mm, 24mm, 35mm, 50mm, 85mm, 135mm
By utilizing the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor.
When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux. And as always, the 5500K‐balanced 300d Mark II maintains impeccable color fidelity with CRI and TLCI ratings of 96+ and 97+ respectively.
Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.
Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.
Matthews' Car Mount Systems integrate the new MICROgrip technology along with the recently introduced Matthews family of Ball Heads to provide the professional camera person a very strong, versatile and reliable system for mounting cameras to automobiles, trucks, boats, trains and even low-flying airplanes. 40lbs / 18kg Capacity.
The HD 30 Camera Battery has been specially tailored for the HD Camera environment with advanced output monitoring.
The battery offers high power, long life, reliability, performance and flexibility with compact and rugged design features to withstand the challenging conditions often encountered during production.
Flight safe battery power for Red, Arri, Sony Venice, Phantom and Photron cameras.
Powerbank is a compact and robust 30Volt 15Ah Lighting battery.
This battery forms the backbone of many portable lighting rental companies. It is without equal in its field and is relied upon in many different departments of the industry to power a large variety of equipment.
Powerbank is a lighting battery and has been constructed to perform. It is this performance that sets it apart from any other battery on the market today.
It is best described as Powerful, Rugged, Robust and Reliable.
Flight safe battery power for Portable lighting - Arri Skypanel S60 & S120 at FULL Power.
Whether you want to record your world from behind a lens or be the star of the show, Osmo Action’s dual screens allow you to capture it all with the touch of a button.
A vivid front screen lets you frame yourself effortlessly in any setting, while the back screen delivers a crystal-clear, hyper-responsive display.
This durable, versatile action camera is jam-packed with advanced technology that lets you spend less time worrying about equipment and more time living the action.
RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life.
For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.
A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.
We can now have the freedom of an untethered handheld camera without compromising our back health.
The concept is simple: prevent spinal compression while allowing an operator to operate handheld like they would traditionally, without affecting the camera's movement or balance.
100% of the weight is transferred from your shoulder and back to your hips, bypassing your spine entirely. There is a way to handhold a camera ergonomically, and this is it.
Premium image quality from an ultra-compact body.
The RX0 II is the ideal life-sharing companion. It captures stunning images, even in dim light, with the powerful 1.0-type sensor and low-distortion ZEISS® Tessar T* lens, and it lets you share them easily with your smartphone. It also features internal 4K-movie1 recording, impressive image stabilisation, an improved 20cm minimum focus distance, and a 180°-tiltable LCD screen.
The Boxx Atom provides a zero delay microwave transmission solution for a host of Video Assist requirements in a small lightweight form factor. Operating within the 5GHz licence exempt spectrum, the features have been designed for today’s fast moving productions. The Atom system has been optimised to work out of the box with minimal configuration. Performance can be monitored and adjusted in real-time at the touch of a button without manual pairing requirements or the need to connect to a PC to set attributes prior to operation.
Small and lightweight transmitter
Zero frame latency (<1 millisecond)
Manual Channel Select
600 metres range video assist
5GHz licence exempt band
The Fujinon MK18-55mm achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & "less than 1kg" lightweight body, and excellent cost performance. It suppresses "focus shift and optical axis shift while zooming" and "Lens breathing". Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.
Film Lighting Tube | Titan Tube was especially designed for the Film, Broadcasting and Cinema industries. Optimized for an ultra-high TLCI, a very high CRI and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the tube. In addition, the Titan Tube now accepts wired DMX via a special power/data combination cable.
LED Power 72w
Wireless DMX & App Control
IP65 Waterproof Housing
The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.
The wireless range of both the hand unit and hand grips is 1,000 feet and with the planned upcoming transmission upgrade, the range can reach up to 1 ¼ miles! This makes it ideal for drone or car-mounted shots.
Revolva is a complete intelligent lens mount for RED® DSMC2. Industry first quick-change filter cartridges are each loaded with a four-position rotating filter. Best of class ND and diffusion, right where you need it.
Revolva is easy to love. No fumbling with trays, sticking screw threads or dropped and smashed filters. Just slip in the tough aerospace alloy filter cartridge and spin to the filter you need.
Revolva works with any swappable mount RED® DSMC2® camera. The majority of PL and EF lenses are compatible, and the supplied smart fitment tool makes double checking simple.
How do you capture moments worth keeping? As the smallest 3-axis stabilized handheld camera DJI has ever designed, the compact and intelligent Osmo Pocket turns any moment into a cinematic memory. In just seconds, Osmo Pocket lets you share your life anywhere, anytime.
The Osmo Pocket transforms all your life’s moments into wonderful images. It snaps photos in stunning detail, thanks to a 1/2.3-inch sensor, 80° FOV, and f/2.0 aperture. It can also shoot 4K/60fps video at 100 Mbps, slow motion video at 1080p/120fps 4x, and photos at 12 MP with a pixel size of 1.55 μm for footage worth sharing every time.
Compatible with any smartphone, action camera or mirrorless up to 3.3 lbs.
- Follow the action at high speed to get unique close ups.
- Create stunning motion time-lapses.
- Film from a whole new angle, where drones can't go.
- Capture dynamic shots of your favorite scenic spots.
- Capture your everyday life from a new perspective.
- Lightweight and foldable so you can take it anywhere.
A wide-angle 14x broadcast zoom lens with focal length of 4.3-60mm, this lens integrates beautifully with a UHD workflow and offers 4K performance with enhanced operability, perfect for studios and ENG applications.
The lens offers 4K resolving power for the entire image plane. Canon’s exclusive optical design allows for extraordinary levels of detail.
Designed for documentary and news gathering, the lens allows cameramen the flexibility to cover even the most demanding of situations.
The lens features correction data based on BT.2020. This enables excellent colour reproduction to the corners of the screen when attached to a 4K camera.
The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for! It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand! The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second! In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more!
The Litepanels Gemini is a 2x1 LED panel and providing a nice wide soft source of colour accurate illumination. Staying true to the Litepanels legacy, the Gemini has accurate full spectrum Daylight and Tungsten lighting. The Gemini also allows for additional quick and easy adjustment by offering full featured 3 lighting modes full colour with hue and saturation control all which allow for the intensity to be controlled anywhere from 100%-0 at all times.
The Gemini is truly versatile with its manual and remote control via standard DMX 512 protocol or wirelessly with the option of wireless DMX or Bluetooth and can adapt to any lighting situation today’s cinematographers and lighting professionals will find themselves in. The manual control knobs are sensitive to the speed of rotation and can either be finely tuned or when ramped up can adjust very quickly. With its light weight design, the Gemini allows for additional versatility with mobile power operation via 3pin XLR, making it a perfect location light.
Expand your video and filmmaking experiences with XEEN cinema lenses. With a T1.5 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.
XEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras. The XEEN series aims to delivers unparalleled performance with affordability to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.
The kit Includes 6 PL mount lenses:
14mm, 24mm, 35mm, 50mm, 85mm, 135mm
PL-E90D is specially designed for field portable lighting applications. 480pcs SMD-LEDs are a mounted in the inner edge of the light frame, and with SWIT unique 90° light guide technology, PL-E90D can output bright, soft and equally spread light, meanwhile, the light body is slim enough and portable, which is an ideal light source for interview kit and field video production.
There are two communication control modes: DMX communication mode and interaction control mode.
The world’s first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective.
The wide angle design means much more depth of field at close distance than conventional telephoto macro lens so that more background details can now be seen. The front barrel of the lens is designed to be waterproof and a LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensor and it is super light to carry.
Photoship One saw a need for a point to point zipline type cable cam system that is self powered and easy to setup and operate.
The Flyline Cable Dolly can be used with the Ronin or Movi.
Most professional cable cam systems require tremendous amount of work to setup on location and require heavy expensive equipment that can take a box truck to haul.
We knew there was nothing that existed for film makers on a budget.
FlyLine has been in use by our customers worldwide for a few years. Over the course of that time we’ve taken in feedback from our user base and made revisions to the FlyLine product.
The Flyline Cable Cam is a point to point cable cam system.
The complete range of ultra wide-angle focal lengths in a single high quality zoom lens.
Perfect for those shooting landscapes, architecture and interiors on location.
Explore landscapes from an ultra-wide point of view
The world’s widest-angle rectilinear zoom lens
Minimal distortion – ideal for architecture and interiors
Advanced lens coatings guard against ghosting and flare
Enjoy swift, near-silent AF, with full-time manual override
Keep shooting even in tough weather conditions
Ronin 2 exists to let filmmakers capture the scene they see in their mind.
Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.
The simplicity of has been amplified with Ronin 2, making setup and use easier then ever.
Everything from mounting cameras to balancing and tuning. Powering accessories and transportation has been tweaked and refined for ease and speed.
Designed for the cinematographer, the Phantom Flex4K is a high-speed camera providing exceptional flexibility with its frame rate capabilities and by adapting to different shooting styles. The super-35mm 4K sensor provides sharp, detailed images with extremely low noise and high dynamic range. The Flex4K is capable of shooting from 15 frames-per-second (fps) up to 1,000 fps at 4K, and almost 2,000 fps at 2K/1080p.
The camera lets you customize the workflow that makes sense for your production. The Cine raw format ensures the fastest high-speed capture on set and maximum quality and versatility for post-production. Alternatively, choose Apple ProRes 422 HQ to improve download time, hard drive space and simplify the workflow, while maintaining excellent image quality.
The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera.
The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition.
It has dual native ISO settings of 800 and 5000.
The native 5000 ISO allows for clean shooting in very low light situations.
Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.
ARRI proudly introduces AMIRA Premium, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.
Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion.
It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
The Space Force is a cutting-edge variable white LED Space Light that is a modern replacement for conventional space lights or soft light sources commonly used in film and TV studios around the world.
The Space Force benefits from cool running, energy efficiency, lightweight design and minimum maintenance. CCT tuneable between 2,800K and 6,500K, and natively single source, the diffuse nature of its output negates the need for silks or skirts.
Extensive RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.
Hanging options include a standard bridle, optional yoke and a low-profile hanging bracket.
The LS C300d is the brightest LED light in the Light Storm series.
Boasting an impressive 48000 lux @ 0.5m with its included reflector, it can also reach an incredible 142000 lux @ 0.5m with our fresnel mount (with camera settings set to f/36, 1/200 shutter, and ISO 800).
This level of illumination is approximately equivalent in output to that of a traditional 2k tungsten or 400w HMI.
The Mark II accommodates the larger, professional cameras with larger zooms, but may be configured to handle DSLRs and Mirrorless as well. Users may attach their iPads and convert the Mark II, to an AutoCue/TelePrompter.