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Panther Vario Jib


The Panther Vario Jib is a versatile camera Jib Arm. Telescopic arms on both sides make the Vario Jib a universal piece of equipment for many shots.

Ergonomic and easy handling as well as a quick set up facilitate your responsible job on set. A pan and tilt brake with integrated friction comes with the Vario Jib.

It is designed in a very lightweight but sturdy way to meet all requirements on set.

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Quasar Science Double Rainbow


The Double Rainbow (RR) Linear LED, with its two rows of high fidelity RGBX pixels, creates realistic lighting with vibrant saturated colours and intense white light.

Wireless and wired data connections mean no data boxes and no transmitters. Integrated Ossium Mounting System (OMS) rigging adapts to everything. AC/DC inputs for continuous power whenever and wherever.

Available in both 2' and 4'

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Quasar Science Rainbow 2


The Rainbow 2 (R2) is the ultimate linear LED for motion picture and content creation.

From lighting actors to environments, high quality tunable white light and the highest RGB colour saturation with multiple pixels maintaining super smooth, flicker free dimming, the R2 will be your workhorse. This linear LED light offers incredible data connectivity whether wired or wireless and can be powered anywhere via AC and DC power inputs. Integrated Ossium Mounting System (OMS) allows for rigging in ways previously unobtainable.

Available in both 2' and 4'


Sony FE 70-200mm F2.8 GM OSS II


The full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies.

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Swit PL-E60


The PL-E60 is specially designed for field portable lighting applications. 320pcs SMD-LEDs are mounted in the inner edge of the light frame, and with SWIT unique 90° light guide technology, PL-E60 can output bright, soft and equally spread light, meanwhile, the light body is slim enough and portable, which is an ideal light source for interview kit and field video productions.

(Also available in DMX control version)

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Rosco DMG DASH Pocket LED Kit (CRMX)


The compact design provides filmmakers with high quality light output and precise colour control from a durable, handheld light fixture. This versatile LED light features powerful output from its durable and weatherproof 5″ x 3.1″ x 1.1″ (12.8cm x 8cm x 2.8cm) aluminium alloy housing. The DMG DASH has the same six-chip MIX LED technology that’s inside all of Rosco’s MIX LED lights to provide a broad colour spectrum and superior colour mixing. DMG DASH can also create white light with high CRI and TLCI values (1700K – 10,000K), and over 130 True Rosco Color™ gel matches.

Available as Single and Quad kit.

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Vaxis Storm 3000 DV


Compared to traditional wireless transmitter setups, the Storm 3000 DV TX can be mounted directly on the camera’s V-Mount battery connector and provides a V-Mount battery connection to power both the transmitter and camera.

Compared to the traditional setup, the Storm 3000 DV TX provides speed saving features that are unrivalled:
• V-Mount eliminates need for traditional arms that can loosen over time
• Power Pass Through reduces clutter
• Closer SDI connector means shorter cables


Edelkrone Motorised SliderPlus PRO with HeadPlus PRO


The first slider in the world that combines portable size with long camera travel. Use it manually with Steady Module or motorize it with Slide Module for real-time and time-lapse videos + wireless connectivity with Edelkrone motorized Heads.

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Aputure LS 1200D Pro


The Light Storm 1200d Pro is the flagship Light Storm product and the brightest fixture in the Aputure and Light Storm lineup. It utilizes a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 meters with the Hyper Reflector (Narrow).

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Samyang Optics 50mm T1.5 AS UMC


Samyang 50mm T1.5 AS UMC is carefully designed for professional film and video works. The focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear rings. Also, distance scale and T numbers are marked on both sides of the lens for convenience.


Lightstar LUXED 9


The LUXED-9 from Lightstar Lights is a bi-colour 1620w high output LED spotlight. It gives you amazing 13’200lux at 4m. The colour temperature can be adjusted continuously between 2800K-6500K and dimming is adjustable from 0-100%

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Dedolight Lightsream Reflector kit


The high efficiency of these reflectors within this system derives from reflective values, where approx. 95-98% of the light can be effectively reflected. When used with Parallel Beam adaptors the quality of the light and shadows become uniquely realistic.

Available in 100x100cm, 50x50cm and 25x25cm

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Canon EOS C300 MKIII


The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II.

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Astera Helios Tubes


Helios Tube is an RGB – Amber – Mint LED lighting Tube that has all the features of the popular Titan Tube while offering a smaller format. It allows mounting in areas where a Titan Tube wouldn’t fit and also increases portability. This LED lighting Tube has 8 pixels, half the brightness of the Titan tube and just over half its length. Colours and brightness are perfectly matched to those of the Titan Tube`s.

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Astera NYX Bulbs


The first colour-tunable LED bulb for professional film, stage and event productions. Not bigger than a normal LED bulb, it contains a CRMX receiver as well as RF and Bluetooth modules for the AsteraApp. It can be powered via lamp socket or with a standard power bank and thanks to its Titan LED engine it displays precise colours and white tones with ultra-high CRI and TLCI.

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Aputure LS 600D Pro

Equipped with its native Hyper-Reflector, the 600d Pro can output 8,500 lux at 3 meters (10 feet). With the F10 Fresnel modifier, the combination can reach an illuminance of 29,300 lux at 3 meters in 15° spot. With a maximum power draw of 720W, the 600d Pro is on par with industry-standard HMI lights.

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Prosup Ejib

The E-jib arm is an ergonomic jib, constructed of high-grade Aluminium which has been hard anodised for strength and integrity. Adjustable both front and rear of the jibs pivot point to make the unit easy to operate.

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The FX6 Cinema Line Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breath-taking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. Note: Operation of this equipment in a residential environment could cause radio interference.

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DJI RS 2 isn’t just a gimbal – it is an unparalleled solution for dynamic cinematography. Every design element and feature is made to deliver industry-leading camera stabilization. Simply put, DJI RS 2 is crafted for you to master filmmaking.

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Emotimo Spectrum ST4

This kit will get you up and running with a motorized 4-axis system. Shooting with heavy payloads? The spectrum / Dana Dolly integration supports up 15lbs for video moves.

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Dana Dolly "Rental" Kit

Called a "Rental" kit because of the popularity with Rental Houses, this is the "Original" Rental Kit, in a custom wheeled SKB Case with folding handle. Includes: Dolly, 2-"Original"-style Track Ends, 75mm, 100mm, 150mm Adapters, Center Support, Monitor Mount Tool, Washer. 24"x20"x14" 45lbs


Atomos Ninja V

Ninja V is the ultimate field monitor for the on-the-go film and video creator that values capturing to high quality industry standard codecs like ProRes and ProRes RAW. The Ninja V’s state-of-the-art screen maintains clarity and color in the brightest of conditions and displays the widest dynamic range in HDR.


Sony A7S III

With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p2, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.


RED Komodo

A compact cinema camera featuring RED's unparalleled image quality, colour science and ground breaking global shutter technology in a shockingly small and versatile form factor.


Easyrig Cinema Flex Vest

A Cinema vest but with more support around the chest. Designed for female Camera Operators.

This vest can be fitted to the Minimax or Vario 5


Tilta Hydra Alien Car Mounting System

The Hydra Alien Car Mounting System was designed from the ground up to work in conjunction with smaller gimbals to allow for a lightweight solution to car-mounted cinematography. The system utilizes a highly customizable combination of suction cups and dovetail-like plates that when interconnected, allow the user to fine-tune the exact placement of their shot.

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Laowa 25mm f/2.8 2.5-5x Macro Lens (Canon EF)

The most compact and versatile high magnification macro lens.

This lens is optimized for macro shooting between 2.5X-5X life size. The lens is specially designed with an extended working distance (45mm at 2.5x & 40mm at 2x) and smaller lens barrel. This allow a sufficient lighting on the object for easier shooting in the field.


Panther Foxy Pro Air

The Foxy Pro Air is a special version of the well known Foxy Pro Crane system. It differs mainly through the holes in the outriggers. This saves weight and material.

This makes the Foxy Pro Air unique:

  • simple transport

  • insensitive to wind

  • lightweight


Arri Orbiter

ARRI introduces Orbiter, the ultra-bright LED point source with a variety of optics.

ARRI’s new LED point source Orbiter ushers in a new era of digital lighting. A versatile lamphead featuring a range of changeable optics, state-of-the-art ARRI Spectra six-color light engine, innovative software, and much more.


Canon CN10X25 IAS S

Outstanding optics, versatility and performance, packaged in an amazingly compact and lightweight design.

Capture stunning 4K quality footage thanks to outstanding optical performance, operability and reliability. This versatile and cinematic 25mm-250mm 10x CINE-SERVO lens offers further reach up to 375mm in Full Frame mode (from the standard 250mm), with its 1.5x extender.


Datavideo HS-1300

The HS-1300 brings a new level of simplicity to production workflows.

You'll set up faster and easier thanks to its portable "briefcase" design. And thanks to its built-in H.264 web streaming encoder, you can stream your show to virtually any CDN like YouTube and Facebook in no time.


Blackmagic ATEM Mini Pro

The ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom!

Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles.


Panasonic DC-S1H

The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema quality video. Offering V-Log/V-Gamut with 14+ stops of dynamic range, 6K full frame capture, 4:2:2 10 bit internal recording, Cinema 4K at up to 60p and unlimited recording time.

Newly designed 24.2 megapixel full-frame CMOS sensor featuring Dual Native ISO technology resulting in minimal noise and outstanding image quality.


Zeiss Supreme Prime T1.5

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, colour rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are colour matched across the full range and most feature a fast T-stop of T1.5

The kit Includes 7 PL mount lenses:

21mm,25mm, 29mm, 35mm, 50mm, 60mm, 85mm


Sigma EF Mount FF High Speed Prime Cine​

These prime lenses range from 14mm to 135mm, and all offer T1.5 or T2 brightness. Rivalling a high-end prime set with their stunning image quality and compact construction, they also offer full-frame coverage. With this complete set of ten lenses designed for 6K-8K shooting, the FF High Speed Prime Line allows filming of various cuts without making any changes to the lighting, taking cinematography to the next level of performance.

The kit Includes 7 EF mount lenses:

14mm, 20mm, 24mm, 35mm, 50mm, 85mm, 135mm


Aputure LS 300D MKII​


By utilizing the latest in Aputure COB LED technology, the 300d Mark II outputs a whopping 20% more light than its predecessor.

When combined with the Fresnel 2X, the 300d Mark II can produce up to 80,000 lux. And as always, the 5500K‐balanced 300d Mark II maintains impeccable color fidelity with CRI and TLCI ratings of 96+ and 97+ respectively.


Prosup Tango Slider

There are various track lengths available, the dolly can be carried out suitable for a 75mm fluid head, 100mm fluidhead, 150mm fluidhead or mitchell fluid head, thereby gaining numerous accessories to enable almost all setups. The whole system is user-friendly designed and setup costs no time.


Sony PXW-FX9​

Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.

Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.


Mathews Master Mount​


Matthews' Car Mount Systems integrate the new MICROgrip technology along with the recently introduced Matthews family of Ball Heads to provide the professional camera person a very strong, versatile and reliable system for mounting cameras to automobiles, trucks, boats, trains and even low-flying airplanes. 40lbs / 18kg Capacity.


Cine Power HD-30​


The HD 30 Camera Battery has been specially tailored for the HD Camera environment with advanced output monitoring.

The battery offers high power, long life, reliability, performance and flexibility with compact and rugged design features to withstand the challenging conditions often encountered during production.

Flight safe battery power for Red, Arri, Sony Venice, Phantom and Photron cameras.


Cine Power Powerbank​

Powerbank is a compact and robust 30Volt 15Ah Lighting battery.

This battery forms the backbone of many portable lighting rental companies. It is without equal in its field and is relied upon in many different departments of the industry to power a large variety of equipment.

Powerbank is a lighting battery and has been constructed to perform. It is this performance that sets it apart from any other battery on the market today.

Flight safe battery power for Portable lighting - Arri Skypanel S60 & S120 at FULL Power.


DJI Osmo Action​


Whether you want to record your world from behind a lens or be the star of the show, Osmo Action’s dual screens allow you to capture it all with the touch of a button.

A vivid front screen lets you frame yourself effortlessly in any setting, while the back screen delivers a crystal-clear, hyper-responsive display.


This durable, versatile action camera is jam-packed with advanced technology that lets you spend less time worrying about equipment and more time living the action.


RED DSMC2 Gemini 5K S35​


RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life.

For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.


A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.




We can now have the freedom of an untethered handheld camera without compromising our back health.

The concept is simple: prevent spinal compression while allowing an operator to operate handheld like they would traditionally, without affecting the camera's movement or balance.

100% of the weight is transferred from your shoulder and back to your hips, bypassing your spine entirely.  There is a way to handhold a camera ergonomically, and this is it.


Sony RX0II​

Premium image quality from an ultra-compact body.

The RX0 II is the ideal life-sharing companion. It captures stunning images, even in dim light, with the powerful 1.0-type sensor and low-distortion ZEISS® Tessar T* lens, and it lets you share them easily with your smartphone. It also features internal 4K-movie1 recording, impressive image stabilisation, an improved 20cm minimum focus distance, and a 180°-tiltable LCD screen.


Boxx Atom AS-01s​


The Boxx Atom provides a zero delay microwave transmission solution for a host of Video Assist requirements in a small lightweight form factor. Operating within the 5GHz licence exempt spectrum, the features have been designed for today’s fast moving productions. The Atom system has been optimised to work out of the box with minimal configuration. Performance can be monitored and adjusted in real-time at the touch of a button without manual pairing requirements or the need to connect to a PC to set attributes prior to operation.


Fujinon MK18-55mm T2.9​


The Fujinon MK18-55mm achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & "less than 1kg" lightweight body, and excellent cost performance. It suppresses "focus shift and optical axis shift while zooming" and "Lens breathing". Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.


Tilta Nucleus-M​

The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.

The wireless range of both the hand unit and hand grips is 1,000 feet and with the planned upcoming transmission upgrade, the range can reach up to 1 ¼ miles! This makes it ideal for drone or car-mounted shots.


Astera Titan Tube​


Film Lighting Tube | Titan Tube was especially designed for the Film, Broadcasting and Cinema industries. Optimized for an ultra-high TLCI, a very high CRI and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the tube. In addition, the Titan Tube now accepts wired DMX via a special power/data combination cable.

LED Power 72w, 20hr Battery, Wireless DMX & App Control, IP65 Waterproof Housing.


Kippertie Revolva

Revolva is a complete intelligent lens mount for RED® DSMC2. Industry first quick-change filter cartridges are each loaded with a four-position rotating filter. Best of class ND and diffusion, right where you need it.

Revolva is easy to love. No fumbling with trays, sticking screw threads or dropped and smashed filters. Just slip in the tough aerospace alloy filter cartridge and spin to the filter you need.

Revolva works with any swappable mount RED® DSMC2® camera. The majority of PL and EF lenses are compatible, and the supplied smart fitment tool makes double checking simple.


DJI Osmo Pocket


How do you capture moments worth keeping? As the smallest 3-axis stabilized handheld camera DJI has ever designed, the compact and intelligent Osmo Pocket turns any moment into a cinematic memory. In just seconds, Osmo Pocket lets you share your life anywhere, anytime.

The Osmo Pocket transforms all your life’s moments into wonderful images. It snaps photos in stunning detail, thanks to a 1/2.3-inch sensor, 80° FOV, and f/2.0 aperture. It can also shoot 4K/60fps video at 100 Mbps, slow motion video at 1080p/120fps 4x, and photos at 12 MP with a pixel size of 1.55 μm for footage worth sharing every time.


​Wiral Lite


Compatible with any smartphone, action camera or mirrorless up to 3.3 lbs.

- Follow the action at high speed to get unique close ups.

- Create stunning motion time-lapses.

- Film from a whole new angle, where drones can't go.

- Capture dynamic shots of your favorite scenic spots.

- Capture your everyday life from a new perspective.

- Lightweight and foldable so you can take it anywhere.


Canon CJ14ex4.3B IASE


A wide-angle 14x broadcast zoom lens with focal length of 4.3-60mm, this lens integrates beautifully with a UHD workflow and offers 4K performance with enhanced operability, perfect for studios and ENG applications.

The lens offers 4K resolving power for the entire image plane. Canon’s exclusive optical design allows for extraordinary levels of detail.

Designed for documentary and news gathering, the lens allows cameramen the flexibility to cover even the most demanding of situations.

The lens features correction data based on BT.2020. This enables excellent colour reproduction to the corners of the screen when attached to a 4K camera.


​Laowa 24mm s/14 2x Macro Probe

The world’s first consumer-grade probe lens which focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective.

The wide angle design means much more depth of field at close distance than conventional telephoto macro lens so that more background details can now be seen. The front barrel of the lens is designed to be waterproof and a LED ring light is mounted at the tip of the lens. It can cover both standard 35mm full frame & Super35 image sensor and it is super light to carry.


Blackmagic Pocket Cinema Camera 4K


The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance! The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second! In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more!


​Litepanels Gemini

The Litepanels Gemini is a 2x1 LED panel and providing a nice wide soft source of colour accurate illumination. Staying true to the Litepanels legacy, the Gemini has accurate full spectrum Daylight and Tungsten lighting. The Gemini also allows for additional quick and easy adjustment by offering full featured 3 lighting modes full colour with hue and saturation control all which allow for the intensity to be controlled anywhere from 100%-0 at all times.


​Samyang Xeen


Expand your video and filmmaking experiences with XEEN cinema lenses. With a T1.5 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.​

XEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras.

The kit Includes 6 PL mount lenses: 14, 24, 35, 50, 85, 135mm


Swit PL-E90D

PL-E90D is specially designed for field portable lighting applications. 480pcs SMD-LEDs are a mounted in the inner edge of the light frame, and with SWIT unique 90° light guide technology, PL-E90D can output bright, soft and equally spread light, meanwhile, the light body is slim enough and portable, which is an ideal light source for interview kit and field video production.

There are two communication control modes: DMX communication mode and interaction control mode.


FlyLine Cable Cam

The Flyline Cable Dolly can be used with the Ronin or Movi.

Most professional cable cam systems require tremendous amount of work to setup on location and require heavy expensive equipment that can take a box truck to haul. 

We knew there was nothing that existed for film makers on a budget.

FlyLine has been in use by our customers worldwide for a few years. Over the course of that time we’ve taken in feedback from our user base and made revisions to the FlyLine product. 

The Flyline Cable Cam is a point to point cable cam system.


Canon EF 11-24mm f/4L USM

The complete range of ultra wide-angle focal lengths in a single high quality zoom lens. Perfect for those shooting landscapes, architecture and interiors on location.

  • Explore landscapes from an ultra-wide point of view

  • The world’s widest-angle rectilinear zoom lens

  • Minimal distortion – ideal for architecture and interiors

  • Advanced lens coatings guard against ghosting and flare

  • Enjoy swift, near-silent AF, with full-time manual override

  • Keep shooting even in tough weather conditions


DJI Ronin 2


Ronin 2 exists to let filmmakers capture the scene they see in their mind.

Upgraded high torque motors allow it to support a wider range of cameras, resist high winds and G-forces caused when mounted to a car and keep it moving smoothly in flight.

The simplicity of has been amplified with Ronin 2, making setup and use easier then ever. Everything from mounting cameras to balancing and tuning. Powering accessories and transportation has been tweaked and refined for ease and speed.


Phantom Flex 4K GS


Designed for the cinematographer, the Phantom Flex4K is a high-speed camera providing exceptional flexibility with its frame rate capabilities and by adapting to different shooting styles. The super-35mm 4K sensor provides sharp, detailed images with extremely low noise and high dynamic range. The Flex4K is capable of shooting from 15 frames-per-second (fps) up to 1,000 fps at 4K, and almost 2,000 fps at 2K/1080p.


Panasonic Vaicam LT


The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera.

The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. 

It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations.

Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.


Arri Amira Premium


The Arri Amira is a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.

Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. 

It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.


Croma-Q Space Force


The Space Force is a cutting-edge variable white LED Space Light that is a modern replacement for conventional space lights or soft light sources commonly used in film and TV studios around the world.

The Space Force benefits from cool running, energy efficiency, lightweight design and minimum maintenance. CCT tuneable between 2,800K and 6,500K, and natively single source, the diffuse nature of its output negates the need for silks or skirts. Extensive RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.


Aputure LS 300D


The LS C300d is the brightest LED light in the Light Storm series.


Boasting an impressive 48000 lux @ 0.5m with its included reflector, it can also reach an incredible 142000 lux @ 0.5m with our fresnel mount (with camera settings set to f/36, 1/200 shutter, and ISO 800).

This level of illumination is approximately equivalent in output to that of a traditional 2k tungsten or 400w HMI.


Eyedirect MKII


The EyeDirect Mark II is the professional’s tool to guarantee eye contact from any subject.

The Mark II accommodates the larger, professional cameras with larger zooms, but may be configured to handle DSLRs and Mirrorless as well. Users may attach their iPads and convert the Mark II, to an AutoCue/TelePrompter.

The EyeDirect allows interviewer to be on either side of the camera.

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FlowCine Black Arm


The Black arm is a 3-axis dampening system with a additional vibration mount for stabilizing roll and tilt errors as well as vertical motion and vibrations. The Black arm is a hardmount system, made for gimbals, that you want to mount on vehicles such as cars, ATVs, boats, snowmobiles etc.

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